1. Identity statement | |
Reference Type | Conference Paper (Conference Proceedings) |
Site | sibgrapi.sid.inpe.br |
Identifier | 8JMKD3MGPEW34M/47QSJL5 |
Repository | sid.inpe.br/sibgrapi/2022/10.17.08.56 |
Last Update | 2022:10.17.08.56.54 (UTC) dioognei@gmail.com |
Metadata Repository | sid.inpe.br/sibgrapi/2022/10.17.08.56.54 |
Metadata Last Update | 2023:05.23.04.20.43 (UTC) administrator |
Citation Key | MatosNasc:2022:MuApAc |
Title | Musical Hyperlapse: A Multimodal Approach to Accelerate First-Person Videos |
Short Title | Musical Hyperlapse: A Multimodal Approach to Accelerate First-Person Videos |
Format | On-line |
Year | 2022 |
Access Date | 2024, May 19 |
Number of Files | 1 |
Size | 865 KiB |
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2. Context | |
Author | 1 Matos, Diognei 2 Nascimento, Erickson R. |
Affiliation | 1 Federal University of Minas Gerais 2 Federal University of Minas Gerais |
e-Mail Address | dioognei@gmail.com |
Conference Name | Conference on Graphics, Patterns and Images, 35 (SIBGRAPI) |
Conference Location | Natal, RN |
Date | 24-27 Oct. 2022 |
Book Title | Proceedings |
Tertiary Type | Master's or Doctoral Work |
History (UTC) | 2022-10-17 08:56:54 :: dioognei@gmail.com -> administrator :: 2023-05-23 04:20:43 :: administrator -> :: 2022 |
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3. Content and structure | |
Is the master or a copy? | is the master |
Content Stage | completed |
Transferable | 1 |
Keywords | computer vision music emotion recognition image emotion recognition semantic hyperlapse |
Abstract | With the advance in technology and social media usage, first-person recording videos has become a common habit. These videos are usually very long and tiring to watch, bringing the need to speed up them. Despite recent progress of fast-forward methods, they do not consider inserting background music in the videos, which could make them more enjoyable. This thesis presents a new method that creates accelerated videos and includes the background music keeping the same emotion induced by visual and acoustic modalities. Our approach is based on the automatic recognition of emotions induced by music and video contents and an optimization algorithm that maximizes the visual quality of the output video and seeks to match the similarity of the music and the video's emotions. Quantitative results show that our method achieves the best performance in matching emotion similarity while maintaining the visual quality of the output video compared with other literature methods. Visual results can be seen through the link: https://youtu.be/9ykQa9zhcz8. |
Arrangement | urlib.net > SDLA > Fonds > SIBGRAPI 2022 > Musical Hyperlapse: A Multimodal Approach to Accelerate First-Person Videos |
doc Directory Content | access |
source Directory Content | there are no files |
agreement Directory Content | |
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4. Conditions of access and use | |
data URL | http://urlib.net/ibi/8JMKD3MGPEW34M/47QSJL5 |
zipped data URL | http://urlib.net/zip/8JMKD3MGPEW34M/47QSJL5 |
Language | en |
Target File | Musical Hyperlapse WTD Paper.pdf |
User Group | dioognei@gmail.com |
Visibility | shown |
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5. Allied materials | |
Mirror Repository | sid.inpe.br/banon/2001/03.30.15.38.24 |
Next Higher Units | 8JMKD3MGPEW34M/495MHJ8 |
Citing Item List | sid.inpe.br/sibgrapi/2023/05.19.12.10 8 |
Host Collection | sid.inpe.br/banon/2001/03.30.15.38 |
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6. Notes | |
Empty Fields | archivingpolicy archivist area callnumber contenttype copyholder copyright creatorhistory descriptionlevel dissemination documentstage doi edition editor electronicmailaddress group holdercode isbn issn label lineage mark nextedition notes numberofvolumes orcid organization pages parameterlist parentrepositories previousedition previouslowerunit progress project publisher publisheraddress readergroup readpermission resumeid rightsholder schedulinginformation secondarydate secondarykey secondarymark secondarytype serieseditor session sponsor subject tertiarymark type url versiontype volume |
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